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click on image for a large version
Track List
The singles
Busy Doing Nothing / Move Away and Busy Doing Nothing / Gypsy contain a song not released on
the LP, this song has been produced by Pete
Sinfield:
|
Busy Doing Nothing |
2:41 |
|
 |
|
|
|
Raymond Vincent |
Glenn Shorrock |

single's sleeve: Busy Doing Nothing / Move
Away
The single
Publicity / Roses contains a song not released on
the LP, this song has been produced by Ken Scott:
|
Publicity |
2:35 |
|
 |
|
|
|
Raymond Vincent |
Bruno Libert |

Publicity / Roses (promo
sleeve)
Release Information
 |
A&M Records, UK, LP gatefold, AMLH 68175
(1973), slightly embossed Esperanto's logo on front sleeve.
There is 2 versions of the label. A mustard one, probably the first
pressing, and a white silver. |
|
|
 |
A&M Records, USA, LP gatefold, SP
4399 (SP 4697 - SP 4698) (1973), embossed Esperanto's logo on front sleeve
A promotional copy has also been released (same catalogue number) |
|
|
 |
A&M Records, Canada, LP
gatefold, same as USA release SP 4399 (SP 4697 - SP 4698) (1973)
A promotional copy has also been released (same catalogue number) |
|
|
 |
A&M Records, Australia, LP, AML 34930
(SMX42345 - SMX42346) (1973) |
|
|
 |
A&M Records, Brazil, LP
gatefold, SA&MX 2105 (1973)
A promotional copy has also been released (same catalogue number) |
|
|
 |
A&M Records, Germany, LP gatefold,
87051 IT
(1973) |
|
|
 |
A&M Records distributed by KING
Records, Japan, LP gatefold, GXG 1031 (SALBT 1285 - SALBT 1286) (1977), embossed Esperanto's logo on
front sleeve, lyrics on a separate sheet inside |
|
|
 |
A&M Records, Venezuela, LP gatefold,
LPS-88.257
(1973), all track's titles are translated in spanish: En La Carretera,
Nunca Mas, Quizas Algun, La Estatua De La Libertad, Gitano, Ciudad, Rosas,
Apartate |
|
|
 |
Busy Doing Nothing / Move Away, A&M Records, Germany, 7",
12984AT (1973) |
|
|
 |
Busy Doing Nothing / Gypsy, A&M Records,
Nederland, 7",
12976AT (1973) |
|
|
 |
Statue of Liberty / Gypsy, A&M
Records, USA, 7", 1478-S (2557-S - 2558-S) (1973), promotional copy |
|
|
 |
Statue of Liberty / Gypsy, A&M
Records, Australia, 7", K-5387 (1478-S) (MX43527-MX43528) (1973) |
|
|
 |
Statue of Liberty / Gypsy, A&M
Records, South Africa, 7", AMRS 1082 (1974) |
| |
|
 |
Publicity / Roses, A&M Records,
UK, 7", AMS 7062 (1973).
A promotional copy has also been released the 1st June 1973 (same catalogue number) |
|
|
 |
Publicity / Roses, A&M Records,
Australia, 7", K-5191(AMS-7062 MX42401) (1973) |
| |
|
 |
A&M Records, UK, 8 Track, Y8AM
68175 (1973) |
|
|
 |
A&M Records, Germany, MC,
54675DT (1973) - |
|
|
 |
Pony Canyon Inc, Japan, CD, PCCY-10176 (1991) |
|
|
 |
ProgRock Records, Russia, CD, PRR-005-2 (2001),
booklet in Russian, only 2 tracks on the CD: the four first songs and the
four last songs are put together on one track each |
|
|
 |
Si-Wan
Records, Korea, CD, SRMC 5011 (December 2001), gatefold paper sleeve, booklet
with lyrics, photos and the story of Esperanto (English, French
and Korean version) written by Gilles Arend from Prog-résiste
and 3 bonus tracks: "Getting Along", "Waiting Till The Day
I Die" and "Emma" extracted from an
unreleased acetate produced just before Danse Macabre |
click on image for a large version
Musicians
Other information
Tracks 1-6 produced and engineered by Ken Scott at Trident
Studios, London
Tracks 7-8 produced by Dave Mackay and engineered by Roger Quested at Morgan
Studios, London
Art direction: Michael Doud
Esperanto logo: design by Scott Russell, artwork by Mike Cook
Photos: inside by Rosemary Adams, back cover by Fin Costello
Chef: Nick Marshall
Comments from Timothy Kraemer when he sent
the lyrics of Waiting Till The Day I Die: "Here are the words of my song.
They don't make much sense near the end. I think we threw them together at the
last minute.". Timothy think that the working title for this song was
"Suicide".
The songs "Statue of Liberty" and "Emma" have
also been played by Little River Band
with Glenn Shorrock after he left Esperanto. Comments from Glenn Shorrock
reported by Glenn A. Baker (Billboard Australian editor, 1985) taken from the
unofficial Little River Band web
site:
"Statue Of Liberty was inspired by the closing scenes of the film 'Planet Of
The Apes'. I wrote it at a time when America was looking decidedly shaky and in
danger of real anarchy. Kent State seemed like just a beginning. I had this
vision of the Statue of Liberty crumbling." The song, recorded only as a demo
for MAM, found release (for the first time) in 1973, via another David McKay
project. "David told me he had a new project and he wanted me to front - a
classical rock band that would be much more avant-garde than ELO. He played me a
some tapes and it was really left-of-field stuff. But it was a challenge and A&M
was right behind it, so I went in boots and all. ESPERANTO was billed as 'the
world's first international rock orchestra'". An unwieldy 12 piece outfit, it
boasted members from Italy, Belgium, Australia, New Zealand, England and Hawaii.
The antipodean contingent was Glenn, Janice Slater, Brian Holloway (from
SOMEBODY'S IMAGE) and MAORI singer Joy Yates. Glenn sang and co-wrote two songs
with Belgian leader Raymond Vincent and contriubuted his own Statue Of Liberty.
Unfortunately, despite of all the hype, the public just didn't buy ESPERANTO,
and by the second album, Glenn was credited only with 'lyrics, backing vocals
and ideas'; by the third he was gone completely. "They made me manager for a
while because they wanted to go completely avant-garde and then instrumental.
But it was a complete mess, half the band lived in London and half in Brussels
and I couldn't even get them together for a meeting. So that last year in
England I was really depressed. My hair was falling out and I decided to quit. I
was still getting my weekly wage from MAM and Terry Britten got me some vocal
sessions and a couple of months' live work with CLIFF RICHARD. I made good money
working at the London Palladium with CLIFF, eight shows a week. After the first
night they came to me and said 'you were great Glenn, in fact you were too good,
cool it'. I was making an amazing (for me) £100 a week for that, so I decided to
stash it away and buy a ticket back to Australia".
Backsleeve
Esperanto described themselves on the backsleeve of Esperanto Rock Orchestra:
"Esperanto: Known over the years as an international language enabling
all people to communicate in a mutual way.
ESPERANTO: The world's first international rock orchestra.
An integral part of 12-piece band's sound is the four-piece string section -used
not as back-up, but performing together and taking highly spirited solos. Also,
the three female singers are not just background voices, but each forms her own
individual position within the dozen.
The force behind ESPERANTO is Raymond Vincent, who at 27 has an extraordinary
musical career behind him. Raymond developed the concept of a rock
"orchestra", selected the musicians, and is the main arranger for the
band. (ESPERANTO consists of bass, drums, guitars, violin, viola, sax, flute,
cello, piano, assorted percussion instruments, and vocals).
Within ESPERANTO each member makes an individual contribution. Each is an
experienced musicians. (Members come from Australia, New Zealand, England,
Hawaii, Belgium, Italy, France, and the Isle of Man).
In a word, and to be as international as possible, ESPERANTO is a musical group
nonpareil."
Review
From
The Gibraltar Encyclopedia of Progressive Rock and Related Music
On Rock Orchestra, the band consists of 12 members playing lots
of instruments, including three vocalists, flutes, violins, guitars, keyboards,
drums and bass. The music is sometimes like standard '70s rock and nothing
special and sometimes really complex progressive rock. The album is about 60%
AOR and 40% progressive. The band sometimes shows potential on what was to come
on later albums like the good one Last Tango.
On Last Tango the band is reduced to eight
members and the music is a lot better and more progressive than on Rock
orchestra. There is some killer stuff on Last
Tango. -- Andre Hagberg
The progressive magazine Tarkus has a
review in novergian.
© Claude Wacker - 2000-2014
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